James Gabrillo

My research examines contemporary music, sound, and cultural life, with particular interests in Asian diasporas. I’m the author of Pop Convergence: Musical Multimedia in Manila (Oxford University Press), and my current work spans sound art, recording, and notation. At UT Austin, I teach popular music, Asian American music, experimental media, and ethnographic methods. Before joining UT, I was a postdoctoral fellow at Princeton University and taught at The New School. I earned my PhD from the University of Cambridge and previously worked as a journalist and editor for The National, The Japan Times, and others. I’m currently writing a book on digital music machines in Japan from the 1970s through the 1990s and the ways musical decisions persist across formats.

Pop Convergence considers how popular music takes shape through relations among media and the infrastructures that sustain them. Focused on Manila, it develops a way of hearing pop as a multimedia practice whose meanings emerge through circulation.

Co-edited with Nathaniel Zetter, Articulating Media: Genealogy, Interface, Situation (Open Humanities Press) examines how the language of media theory is itself conditioned by media history. The collection treats theory as situated practice, shaped by technical forms through which media become thinkable.

Published in Kritika Kultura, “Footnote to Disappearance” is a literary work about archival power and bureaucratic remaking of memory.