James Gabrillo

James Gabrillo’s work examines contemporary music, sound, and cultural life, with particular interests in the Philippines and Asian diasporas. He is the author of Pop Convergence: Musical Multimedia in Manila (Oxford University Press), and his current research spans sound art, recording, and notation. At UT Austin, he teaches popular music, Asian American music, experimental media, and ethnographic methods. Before joining UT, he was a postdoctoral fellow at Princeton University and taught at The New School. He earned his PhD from the University of Cambridge and previously worked as a journalist and editor.

Pop Convergence considers how popular music takes shape through relations among media and the infrastructures that sustain them. Focusing on Manila, it develops a way of hearing pop as a multimedia practice whose meanings emerge through circulation.

Co-edited with Nathaniel Zetter, Articulating Media: Genealogy, Interface, Situation (Open Humanities Press) examines how the language of media theory is itself conditioned by media history. The collection treats theory as situated practice, shaped by technical forms through which media become thinkable.

Published in Kritika Kultura, “Footnote to Disappearance” is a literary work about archival power and bureaucratic remaking of memory.