“Sonic Cosmopolitan Imaginaries of Philippine Indigeneity,” International Musicological Society, University of Athens, Aug 22-26, 2022.
“P-Pop Convergence and Syncretism,” International Association for the Study of Popular Music (US), University of Michigan, May 26-28, 2022.
“P-Pop Convergence and Syncretism,” British Forum for Ethnomusicology, Apr 7-10, The Open University, UK, 2022.
“Overstatement as Style: Birit Singing and Musical Parody,” University of Minnesota Transnational American Studies Lecture Series, Mar 31, 2022.
Workshops on Media Platforms and Music Journalism, Sangeet Sangum-Pakistani Partnership Program, University of Texas at Austin, Dec 8 & 13, 2021.
“Pop Convergence: Musical Multimedia in Manila,” Diskurso Saliksik sa Kolehiyo: Musika, Ekonomiya, at Literatura (University Research Conference in Music, Economics, and Literary Studies), University of Santo Tomas, Philippines, Nov 24, 2021.
“The Ballad of Grandmaster PH: Contesting Narratives and Lost Archives in Philippine Hip-Hop,” American Musicological Society, Nov 11-12, 20-21, 2021.
“Radyo Tanudan: Sonic Collectivities in a Philippine Village,” Society for Ethnomusicology, Oct 28-31, 2021.
“‘Heroes’ of the Global South: Labor Migration in Comparative Perspective,” Beyond the Future of Work: New Paradigms for Addressing Global Inequality, University of Texas at Austin, Jun 9, 2021.
Panelist for OCA – Asian Pacific American Advocates (Greater Houston), Virtual Tea Talk on Asian American Studies, May 28, 2021.
“Sounds of Caregiving: Listening to Filipino Migrants,” Center for Women’s & Gender Studies, University of Texas at Austin, Apr 19, 2021.
Guest Talk, Class on Philippine History, University of California, Berkeley, Apr 15, 2021.
“Exploring the Music of the Philippines,” Salubungin Conference, Austin, Texas, Apr 10, 2021.
“Sounding Public Space in Manila’s Palengke,” British Forum for Ethnomusicology, Bath Spa University, Apr 8-11, 2021.
Guest Talk, Class on Introduction to Ethnomusicology, Wellesley College, Mar 19, 2021.
“Sounds of Caregiving: Listening to Filipino Migrants,” Music Department Colloquium, SOAS University of London, Nov 24, 2020.
“The Ballad of Grandmaster PH: Hip-Hop Historiography and (Lost) Archives in the Philippines,” Society for Ethnomusicology, Oct 22-31, 2020.
“Sounding Public Space in Manila’s Palengke,” Sound Studies, Rhetoric, and Writing Conference, Detroit, Oct 1-3, 2020.
“Punk as Soundtrack to Gay Beauty Pageants in Hawaii,” Society for American Music, Jul 16-18, 2020.
“Imagined Spaces: Song-and-Dance Sequences in Philippine Cinema,” Music and the Moving Image, New York University, May 29-31, 2020.
“Sounding Public Space in Manila’s Palengke,” Un/Sounding the Relational City Conference, New York University, Feb 28-29, 2020.